My painting practice explores the language of fleeting sensations — embodied memory, vulnerability, and the imprint of touch. I work with layers of acrylic, oil, and collage to build surfaces that evoke skin, fabric, and interior landscapes. These images do not illustrate — they register. Not narrative, but presence.

I’m interested not in concept, but in contact. Painting becomes a way to slow down, to feel, to stay close to oneself. In a world where visual noise often overpowers silence, I return to what is simple but deep: surface, gesture, breath.

My works are an invitation not to observe, but to absorb. Not to interpret, but to be.